Industrial Sewing Yarn Machine
industrial sewing yarn machine
Using one-step twisting process of the upper fist twist, assembling, lower after twist is a big advantage of industrial sewing yarn machine which is based on DT98 series thread making machine.
And industrial sewing yarn machine owns Japan Mitsubishi frequency conversion control, pulling capstan roller, imported high speed steel containing oil, CNC forming, 1kg--1.5kg roll capacity without knot, high speed and is easy to operate, with high quality of man-made filament.
Applicable of chemical filament yarn twisting: sewing thread, embroidery thread, bags yarn, zipper yarn, knitting yarns etc...
Ply count range: 50D—1000D.
Hangzhou DengTe Textile Machinery CO., Ltd. is a technical innovation enterprise, which is located in the famous beautiful tourist city --Hangzhou. DT has unique research and innovative technology for the one-step twisting machine.



Spindle arrangement | 2×1 | 3×1 |
Supply spindle NO. (1section) | 36 | 36 |
Ring spindle NO. (1section) | 18 | 12 |
Supply spindle NO. (10section) | 360 | 360 |
Ring spindle NO. (10section) | 180 | 120 |
Main Technical Date:
Twist range | 120 to 1250t/m, 3 to 31t/inch |
Twist direction | S or Z changeable |
Assemble ends | 2-3 |
Roller diameter | 49mm |
Ring | Φ110mm |
Max.winding height | 330mm |
Spindle driving | Spindle belt drive |
Start mode | Stepless speed controlled by inverter |
Take-up spindle gauge | 2×1 162mm 3×1 240mm |
Spindle speed | 600rpm |
Take-up bobbin capacity | 2×1 1.1kg 3×1 1.1kg or1.5kg |
Max.installed power | 11KW |
Overall Size | L×W×H=17.30M×1.40M×1.90M L×W×H=21.70M×1.40M×1.90M |




Information about textile industry
industrial sewing yarn machine
In the context of the rapid development of modern industry, social production efficiency has been improved rapidly, and people's life concept and consumption mode have undergone profound changes. As the accumulation of traditional culture for thousands of years, intangible cultural heritage seems to be incompatible with modern life. In the past, most of the handicrafts used to undertake the production of daily necessities were replaced by machines. To a certain extent, it is a supplement to the lack of personalization in large-scale industrial production. So, how can intangible cultural heritage coexist harmoniously with modern lifestyle and high technology?
The fashion exploration of textile intangible cultural heritage can be used for reference. In recent years, textile intangible cultural heritage, including weaving, dyeing, printing and embroidery, has frequently appeared in people's field of vision by innovating development mode, integrating into fashion brands, enriching communication paths, and broadening industry boundaries. It has been "weeding" by many young people, laying a good market foundation, and is walking in the direction of rich oriental charm On the way of inheriting ancient wisdom and telling regional stories.
Cross field cooperation: injecting new energy into "intangible cultural heritage +"
In recent years, the Ministry of culture and tourism has vigorously implemented the project of inheriting and developing Chinese excellent traditional culture. With the full cooperation and active participation of relevant departments, colleges, enterprises, news media and industry associations, China's intangible cultural heritage protection and inheritance work has been deepening, the laws and regulations system has been gradually improved, the protection and inheritance mechanism has been effectively operated, and the activation practice has become increasingly rich. Textile intangible cultural heritage, as the most closely connected art with people's life, is constantly participating in people's life through cross-border integration of "intangible cultural heritage + education" and "intangible cultural heritage + art".
As the first batch of pilot institutions of the former Ministry of culture, the Ministry of education and the training program for inheritors of China's intangible cultural heritage, Beijing Institute of fashion has always attached great importance to giving full play to its professional advantages and actively engaged in the protection and development of Intangible Cultural Heritage Inheritance, especially in the inheritance and modern application of Chinese traditional clothing culture. According to Ni Saili, deputy secretary of the Party committee of Beijing Institute of fashion, in June 2017, Beijing Institute of fashion signed a strategic cooperation agreement with Gongwangfu Museum of the Ministry of culture to carry out the "Splendid China" brand activity under the guidance of the Intangible Cultural Heritage Department of the Ministry of culture and hosted by Gongwangfu Museum of the Ministry of culture, so as to promote the modernization transformation and expression of textile intangible cultural heritage and step onto the fashion stage. In June 2018, Beijing Institute of fashion and Gongwangfu Museum of the Ministry of culture and tourism jointly established a collaborative innovation center for the revitalization plan of Chinese traditional crafts, making full use of textile technology resources to build an academic platform, and constantly exploring a new path of deep integration of textile intangible cultural heritage and modern fashion life.
There is a natural connection between arts and crafts and intangible cultural heritage. Ren Jianxin, vice president of China Arts and Crafts Association, said that over the years, China Arts and Crafts Association has actively participated in all kinds of intangible cultural heritage activities. From a professional perspective, it has established brocade Professional Committee and embroidery professional committee to promote the innovation and development of textile intangible cultural heritage. "There are many national, provincial and municipal masters in China Society of Arts and crafts, who are actually craftsmen. Therefore, we should make art and intangible cultural heritage linked, extract excellent cultural genes from the perspective of intangible cultural heritage, and present them in the form of Arts and crafts." He said that the innovation and development of textile intangible cultural heritage need to inject art power.
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